![]() ![]() This has apparently also been A-H ‘s official past and present position. 10 years ago I invested in a RME UFX interface up grade and the official position of RME at that time was as follows: ” The small packets of contained in digital audio are best managed with fully compliant USB 2 devices, we see no technical advantage in USB 3 for digital audio recording connectivity”. Over the past 15 years I have benefited greatly from the advice I have received from the RME teck staff. I leaved USB-Audio-Streaming to the PC/DAW (or could do it with my good old TP410 with SSD) and I would buy a SQ5 with Dante-cared, if at some point there would be a need to absolutely have to use it. I do the multirecording things there with a Sandisk Extreme 32 GB stick. Or do without audio streaming to A&H devices that “only” specify USB 2.0 as the standard (thus actually all). So conclusion: If you want working with audio streaming in or from a DAW, then buy a mixer with a Dante card or keep on looking to see if you can get something compatible by tra and error with the multiple tips here in the thread (I have A&H QU 16, with an old Lenovo Thinkpad TP 410 with pure USB 2.0 ports. Otherwise there will be no solution for mixers programmed and designed on the hardware side according to USB 2.0 together with real USB3 ports of modern PCs. But in the SQ series this is possible (unfortunately not cheap, but at least it works properly). ![]() With that the QU series unfortunately falls flat. If I were to buy a new mixer, I would always go for one that allows the installation of a Dante card as an audio interface. ![]() At the moment, the Dante protocol would be a working way. The future will be LAN which has sufficient bandwidth and compatibility. The more I think about it and research it, I come to the conclusion that USB is not or cannot be the solution for a sufficient audio stream in the long run. ![]()
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